How Old Is Popeye the Sailor Man
This commodity is near the character. For the franchise as a whole, see Popeye franchise. For other meanings, see Popeye (disambiguation).
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Popeye is the master protagonist of the Popeye Franchise, a sailor character created in 1928 past Elzie Crisler Segar for his Thimble Theatre comic strip (afterwards renamed afterwards Popeye himself). The star of many comics and blithe cartoons, he is best known for his squinting (or entirely missing) right eye, huge forearms with two ballast tattoos, skinny upper arms, and corncob pipe. He tin can occasionally be seen smoking his piping just usually he toots information technology like a tugboat and sometimes uses it as a weapon by blowing the smoke in his enemies faces. His strength varies among his portrayals: every bit per the original comics, he is super-humanly strong and tin can elevator huge objects, while in later adaptations he is not quite as mighty until he gains a boost in strength past eating spinach. He is known to mutter when he speaks, sing to himself and mangle the English language (east.m, he calls elephants and infants "elephinks" and "infinks", respectively) in his signature New Bailiwick of jersey accent. In addition to his theme song, his catchphrase is "Blow me downward!" and he is also noted for saying "That's all I tin can stand up, cos I tin can't stand no more!" Popeye's creator E. C. Segar characterized him equally violent and uncivilized still introspective and with a high moral fiber.
Popeye has a long and rich history spanning nearly a century and is 1 of the most recognizable and beloved cartoon characters in the earth, and is consistently regarded as one of the best ever created.
Contents
Character history
Creation and evolution in Thimble Theatre
Popeye was created past Due east. C. Segar and was inspired by a homo Segar knew in Chester, Illinois: Frank "Rocky" Fiegel. Popeye would brand his debut in the January 17, 1929 Thimble Theatre strip "Dice Island" as a rough sailor for hire. While originally introduced as a minor character (with the bodily star of the strips then being Castor Oyl), Popeye's popularity eventually grew to the betoken where he became the chief character of Thimble Theatre, with the strip now focusing on his adventures and hijinks. Initially, Popeye was portrayed as a very strong and seemingly uneducated but very savvy sailor who would gain extraordinary luck and resilience when he rubbed the magical Whiffle Hen Bernice, simply by 1932, he began to favor spinach, crediting it every bit a healthy source of forcefulness. Every bit the strips started focusing more than on Popeye, he began to class a human relationship with Castor'southward sister Olive Oyl after she had left her previous boyfriend Ham Gravy, and the two would eventually continue to become 1 of the most recognizable couples in cartoon history.
After Popeye'south run in the original Thimble Theatre, he would return as the main graphic symbol in the 1948 comic volume serial by E. C. Segar's assistant Bud Sagendorf, which combined elements from both the original Thimble Theatre and the Fleischer Studios cartoons. His comic book appearances would continue for decades until the title's end in 1984.
Fleischer Studios
Popeye's huge popularity led him to exist adapted into animation, which would but be loosely based on Thimble Theatre due to the limited length of the theatrical shorts at the time keeping them from making proper total-length adaptations of the Thimble Theatre sagas, which resulted in the shorts being episodic. The huge success of the first Popeye the Sailor drawing (which originally started as a part of the Betty Boop shorts) would ensure a long-running series of independent theatrical shorts for the now famous crewman. In the diverse cartoons by Fleischer Studios, he would ordinarily have to rescue his girlfriend Olive Oyl from Bluto, his rival and sometimes friend or go on a daring chance with Olive and his good friend J. Wellington Wimpy. Some of the cartoons take a different recurring approach, similar him rescuing Olive from some other threat, dealing with something solitary, fighting a pocket-sized enemy he cannot beat, or watching over his adopted son Swee'Pea. As these theatrical shorts deviated from Segar'southward strips quite a fleck, many characters from the comic never made an appearance or but appeared one time (like Castor Oyl and the Goons). However, other characters similar J. Wellington Wimpy (who sometimes served as Popeye's sidekick), Poopdeck Pappy and, more rarely, Oscar would make semi-regular appearances in the shorts. Eugene the Jeep likewise made some appearances just would not exist used as often equally the above. George West. Geezil besides fabricated only 2 appearances aslope Popeye. Many of these cartoons by and large focused on Popeye's adventures and antics forth with Olive and occasionally Wimpy as they tried to resist the antagonistic Bluto. While not appearing as a sailor very oftentimes (equally Popeye was usually portrayed with a number of odd jobs) the stories in the cartoons would involve his brawling escapades or his adventures in certain areas of the world while doing impressive feats and preserving Olive'south prophylactic and their relationship.
Globe War II
During the World War II-era animated shorts, Popeye was a member of the U. Southward. Navy and his outfit was changed to a white Navy suit, and he would proceed to wait like this in animation from the 1940s through to the 1960s. During Fleischer Studios's final years of operations, the shorts they produced were WWII stories focusing on Popeye's heroic attempts to assist America fight the enemy, by and large the Japanese and Germans. The cartoons with these battle scenes accept often been banned from television for being considered also "politically incorrect."
Also, in the 1940s shorts, Popeye gained four nephews named Pipeye, Peepeye, Poopeye and Pupeye, who originally debuted in an earlier brusque within a dream sequence equally his children, before being made recurring and turned into his nephews. Nevertheless, their verbal relation to Popeye remains unclear, and the parent of his nephews has never been properly identified.
Famous Studios
Famous Studios' re-design of Popeye.
Following the takeover of the Popeye blithe franchise by Paramount Studios in 1942, the Popeye cartoons were at present handled by Famous Studios, which made drastic changes which abandoned almost all traces of Thimble Theatre and focused largely on plots involving Popeye, Olive, Bluto in something resembling a love triangle, without many other characters actualization and with very few shorts deviating from that setup, which involved Olive falling for Bluto and Popeye beating him afterwards eating spinach in an oft-repeated formula. Also of note are Famous Studios' remakes of Fleischer cartoons (such every bit Goonland , itself a loose Thimble Theatre accommodation), heavily changed by Famous to remove all traces of Segar creations outside of Popeye, Bluto and Olive, i.east. Popeye's Pappy replacing Goonland's Goons with what might be considered racial caricatures of Africans led by a Bluto-like cannibal, with the only thing in common between the two versions being the rescue of Pappy - who would continue to make just ii more appearances afterward this (one of which contradicted the established fact that he left his son before long after his nascency). Supporting characters who were notable friends of Popeye and even had several appearances in Fleischer cartoons, such as Wimpy, Pappy and Swee'Pea, were featured less than a scattering of times: Wimpy only appeared in three shorts (bated from flashback-oriented stories) and others such as Eugene the Jeep never appeared at all. Popeye'southward function as an adventuring sailor was also reduced to a signal where he was barely ever seen at sea or in the Navy other than in a few shorts mostly from the state of war period, equally the bulk of stories preferred to avoid doing more adventurous and fantastical stories and focus on Popeye'south everyday life, his holiday hijinks or the "love triangle" setup.
Popeye's portrayal in the animated adaptation (such as the theatrical cartoons and specially the Famous outings) has alternately been criticized for giving him a single means to solve all of life's problems (dissimilar in the older strips), or praised for bringing children to swallow healthy. This reliance was most exaggerated in the brusk "How Green Is My Spinach," which presented Popeye as being helpless without spinach (and portrayed other vegetables every bit ineffective), spoofing the cartoons's own formula but at the same time providing a rather questionable message.
In the fifties, Popeye's cartoon itemize was sold past the Paramount studio to Associated Artists Productions for broadcast on tv set. Animated shows were too made for television in the 1960s, 1970s and 1980s.
First television series
In 1960, the outset Popeye the Sailor animated television series was produced for first-run syndication which proved successful. Like the earlier theatrical cartoon serial, it would use many elements that were already well known, mostly the basic storyline of Popeye trying to keep his sweetheart Olive safe from the easily of other male suitors while using spinach to remain fit and healthy. Unlike the theatrical shorts withal (especially the Famous Studios shorts), this Television receiver serial made a more prominent effort to bring dorsum characters and elements from Thimble Theatre back to Popeye's side, such as his sometime friend J. Wellington Wimpy, who had been considerably absent during the Famous era, and the prove even included characters who never had the hazard to appear in blitheness, such as Popeye's one-time lucky amuse Bernice the Whiffle Hen and even Alice the Goon, Rex Blozo and Rough Firm (all the same while bringing in more Thimble Theatre elements, very few episodes were a direct or accurate adaptations of the strips and had no real continuity between them). Notably, the only graphic symbol that failed to render was Bluto himself, who was instead replaced by his lookalike/blood brother Brutus, due to King Features incorrectly thinking that the former was not originally a Thimble Theatre grapheme. While the bear witness did involve Popeye'south love life, episodes actually focused more than on his adventuring around the earth (and beyond) not unlike the Fleischer and comic strip incarnation, and also brought back other Thimble Theatre antagonists rather than relying solely on Brutus, like the sinister Ocean Hag and Toar the caveman, who proved to be a true challenge for Popeye. As in the last Fleischer cartoons and most Famous shorts, Popeye still wore his Navy compatible, an exception beingness the pilot episode "Barbecue for Two", where he did wear his original outfit.
The All-New Popeye Hour
In 1978, Hanna-Barbera Productions, with King Features Syndicate, would produce a new Popeye television serial, The All-New Popeye Hour . Unlike the previous show, this series had higher-quality animation and was more akin to Segar's work and Fleischer cartoons than other Popeye animations, with Popeye more regularly seen equally an adventurous sailor. Popeye's wait was in one case again changed for this series, this time it was a permanent return to his archetype outfit, however he still wore his Navy hat, making it something of a combination of both styles. The series as well gave characters such every bit Alice the Goon more prominence, having her co-star with Olive in their own segment, Individual Olive Oyl . This show focused more on adventure than past animations: in that location were entirely new segments defended to sailing the seas and searching for gamble, as in Popeye'southward Treasure Hunt . Popeye and the Body of water Hag's relationship was also more than accurate to the strips than the previous serial, with the Hag wanting to marry Popeye, much to the latter'south cloy. Oddly plenty, Popeye's signature spinach tin would have special effects on other characters, such as Olive and Swee'Pea, who would unusually turn into actual superheroes.
Popeye'south first movie
In 1980, a theatrical live-activity movie chosen Popeye was released, featuring an original story written by Jules Pfeiffer, directed past Robert Altman, and serving equally a more faithful adaptation to Segar'southward Thimble Theatre. Information technology brought nearly every friend of Popeye'due south to the silver screen, although it showed the well-known crewman (as whom Robin McLaurin Williams starred) as having an initial aversion to spinach, and the setting took identify in a port town called Sweethaven, created on the island of Malta by Altman's set decorators. It eventually went on to gross $49,823,037; more double the moving-picture show's production upkeep.
Popeye was produced as a musical, with original songs whose music was composed and whose lyrics were written by Harry Nilsson; nonetheless, Sammy Lerner's familiar theme for the character, "I'm Popeye the Sailor Man," was retained in the final sequence.
Popeye and Son
In 1987, the latest blithe series focusing on Popeye was produced, entitled Popeye and Son . The series was unique in the Popeye franchise for taking identify later in Popeye'due south life, where he had finally married Olive Oyl, settled down and had a son of his own (a notable modify considering the rarity of having well-known cartoon characters actually motion on with their lives). The serial shared similarities with its predecessor, The All-New Popeye 60 minutes, having various references to Thimble Theatre and other media in Popeye'due south history such as the theatrical picture, with the cartoon taking identify in Sweethaven. Still, the series didn't testify as popular as its predecessors and was eventually cancelled afterwards 13 episodes. Existence the last blithe Popeye series on telly, it can be considered somewhat fitting that it ended at a after and happier point in Popeye's life.
Revivals
In 2001, Popeye received a tribute testify on Cartoon Network titled The Popeye Show , which merely featured classic shorts simply besides adding trivia info and facts nearly Popeye also every bit occasionally showing unaltered original versions of the shorts, with the series going on to take 45 episodes.
In 2004, a CGI-animated TV movie titled Popeye'south Voyage: The Quest for Pappy was produced by Mainframe Entertainment for Lions Gate Entertainment and King Features Entertainment. An attempt at a full-fledged animated theatrical movie was likewise made by Sony Pictures Blitheness for release in 2012, with examination blitheness made past Genndy Tartakovsky, even so product on this film has apparently remained on an indefinite hiatus.
In 2012, IDW Publishing began a brand-new Popeye comic book that primarily stays faithful to the character's original comic strip incarnation by E. C. Segar and Bud Sagendorf, and features countless throwbacks and references to Popeye's old adventures and even features the return of many (if not all) of the characters from the classic era. As the series is more true-blue to Segar and Sagendorf'due south work, the plots of each issue follow more closely to the original format of the older comics rather than the cartoons, and the art even replicates Segar'due south mode flawlessly. In 2013, IDW held a special crossover upshot where they depicted many of the settings in their comics every bit being invaded by the Martians from the 1962 trading card game and 1996 motion picture Mars Attacks, with Popeye facing off against this incarnation of the Martians in the special Mars Attacks Popeye .
Character designs
Popeye's unique and commonly used design is one that is immediately recognizable, being always depicted equally a gruff-looking nevertheless skinny sailor with a large cleft chin, a single heart, a mostly bald head and very big forearms with anchor tattoos, while his outfit usually consists of a black dress shirt with a red neckline and sleeves with blueish edges along with blueish pants, brown shoes and a sailor'southward cap. During his commencement introduction in Thimble Theatre, Popeye's appearance was not too different from his current one, the just difference being that his nose was noticeably larger, his chin was slimmer and his forearms were less round and more athwart (and also a bit hairy), but equally Segar'southward talent continued to grow, the design would modify to lucifer the well known sailor seen today. This design would be his most iconic and about used depiction used in many media, and most notably the first piece of Popeye animated media by Fleischer Studios.
Following the attack of Pearl Harbor in 1941 past the Japanese which made the The states take role in World War Two, Popeye's design remained unchanged, however, in the cartoons he was now made a fellow member of the U. S. Navy and given the appropriate naval attire, consisting of the standard white uniform with a black neckerchief, blackness shoes and a small-scale Navy cap. He would continue to wear this outfit until the mid-1960s. During his Famous Studios run, Popeye's optics were also slightly enlarged to expect a bit more realistic rather than looking like black dots, and he was too portrayed as having ii eyes in both Famous Studios and the 60s television series, which would occasionally be seen in several shorts.
When Bud Sagendorf began the Popeye comics in 1948, Popeye's design was changed to resemble his classic await only while still wearing his Navy cap from the war. His eyes were also changed dorsum to their black dot appearance. His chin was also farther enlarged with only a few minor changes due to Sagendorf's own unique art style. This blueprint would go along to be used by Sagendorf's successors in Popeye comics, such every bit George Wildman, Bobby London and several others throughout the 70s, 80s and hereafter newspaper comic strips depending on the artist, with Segar and Sagendorf's designs usually existence interchanged. Sagendorf's design was also used in other 70s media and 2 cartoons, The All-New Popeye Hour and Popeye and Son .
Since the end of Popeye and Son, media and merchandise (exterior the occasional comics) would go on to portray Popeye with his classic look or his Sagendorf design regularly, and only rarely using his Navy look.
Drawing the character
Popeye'south appearance is always the nearly difficult for cartoonists to duplicate because, as Sagendorf one time pointed out, there is naught normal virtually it. Sagendorf went on to admit that subsequently approximately a yr of attempting to do so as Segar'south apprentice, he had to ask Segar to describe the character for him; he explained, "It turned out that if yous didn't draw the eyebrows and eyes starting time, the nose second, the head third and the mentum last, you were dead."
Personality
Popeye is a rough and tough crewman with a center of gilded who always does what he can for others and always doing what he thinks is best. He is brave and compassionate, equally he will not back down against any foe and give them all he has got, just his compassionate nature makes information technology so he always tries to "defends the weakerist", every bit he cannot stand seeing the weak and helpless become abused. He also has a fondness for "poor dumb aminals" and, similarly, cannot stand to run across any beast being hurt for no reason. Just he besides has no patience for violent beasts who attack defenseless people or other animals for no justifiable reason, and he will be quick to plow them into mincemeat for their hotheadedness.
Being a crewman, he has a love for adventure and the bounding main, and will not reject the take chances to observe new mysteries, lost treasures and grand adventures. While he is usually a treasure hunter of sorts, he is not greedy and always does his best to share with others and encourage others to do the same. Popeye has a dislike for things like monsters, ghosts and other such terrors, having faced several himself in his life time and would even pretend they do not be, every bit seeing them terrifies him greatly, but he e'er manages to muster the courage to face off against any foe. Popeye's favorite food is spinach, and he ever tries to encourage others to eat this salubrious vegetable every bit it is a great source of "strenkth and vitaliky." He loves his sweetheart Olive Oyl dearly despite their rough starting time and volition go to any lengths to keep her rubber and make her happy, showing that he is a very chivalrous and romantic man, despite his crude, tough and gruff nature.
Biography
Past
Nativity and early life
Popeye at ii weeks of age.
Popeye was built-in the son of Poopdeck Pappy and an unnamed adult female in a draft in Santa Monica (with Popeye erroneously challenge to have been built-in at ii or 3 years of age). Soon after his birth, his father Poopdeck left home and was never seen again, and his mother'due south fate was unknown, leaving the young Popeye an "orphink" to be raised by an orphanage keeper who gave him the ID number of 185,764. Equally an infant, Popeye already had his signature pipe, presumably given to him by his begetter before leaving, and would simply take it out of his mouth for his morning time bottles of malted hardtack. As far as he could remember, footling Popeye was impressed by early home training and exercised as shortly as he was able, just avoided getting into serious fights until he was iv years of age, where he had finally had enough of his orphanage keeper and allow him take it. After this incident, it seemed every bit though Popeye's keeper became impressed with the kid and decided to enter him in contests (similar to dog shows) where the immature Popeye became a prize babe in many shows and always took neat pride in his Bertillon measurements. Eventually, the orphan Popeye would autumn on hard times upon leaving the orphanage, and was forced to wear flour sacks for clothes, but happily, the luckless lad was taken in by Whaler Joe at the docks, who fifty-fifty bought the immature lad a new pipe and a fascinating straw chapeau with a radio antenna on it.
Babyhood
Popeye at age 6.
At six years of age, Popeye began to fulfill his hope of taking his exercising more seriously and started devoting himself to fights with the local bullies, hands laying his foes amid the geranium flowerbeds, ever promising to do so and never breaking his word. With Popeye around, the local bullies did not demand the aid of any pliers or doorknobs to go rid of those useless bicuspids thank you to Popeye's left-correct to the jaw. As Popeye'south notoriety grew among the children, he inadvertently became a factor for good in discouraging his fellow crude-dock kids from crapshooting, doing so by being too good at the game himself, as he always got xviii straight passes when he rolled the dice. Despite his beloved of crapshooting, Popeye would be forced to sell his beloved dice for the atomic number 82 in them after his guardian Whaler Joe cruel on tough times. One day, Popeye prepare out on a gunkhole with cypher but a bent pin and a spool of thread in hopes of helping his guardian by catching whales for him. Unfortunately, upon reaching the whale pod, Popeye realized he was grievously ill-prepared against the giant sea beasts who thrashed about his piddling vessel every bit they let out a loud horselaugh, which made Popeye respond with a quick tempered "Blow me down, yous-!"-- only before he could end, the whales of a sudden stopped. It was and so that the largest whale, deeply offended, got on niggling Popeye'due south vessel and sprayed him with a mighty jet of water. This activity infuriated the immature Popeye and then heavily that his acrimony became pure strength; he speedily got dorsum on his feet and punched whale with all his might, instantly killing the proud alpha and proceeded to accept on the residual of the pod. A triumphant little Popeye then returned habitation with a nice string of whales for Whaler Joe that night.
Teenage Years and the Path of the Sailor
Popeye at age 12 with both optics still intact.
Upon reaching the historic period of 12, Popeye had startled everyone he knew by the sheer fact that he was now like a full-grown homo, puberty having hit him hard every bit he now had to shave after every meal and he fifty-fifty had muscles so tough that they could be used every bit grindstones, with Popeye even renting out his forearms for merely that purpose for some actress side cash. Information technology was around this time that Popeye finally (just unknowingly) set out to sea, having been shanghaied onto a coiffure one dark after some bilge rat put a mickey in his "sodie pop" to knock him out. Afterward he woke, he found himself aboard the Josie Lee with a new crew bossing him around, so he decided to slip a "mickey" himself to everyone in the crew with his fists, including the helm. Information technology was then that the Josie Lee began to drift out to body of water and after a few days, Popeye realized that he liked this style of living and would go on to devote his life to that of the sailor'southward manner, deciding to bring together the crew of the Josie Lee and begin practicing his "sailor's walk" from then on. Popeye then dedicated himself to sailing the seas, looking for fights and new adventure, as well as whatever clue to the whereabouts of his long-lost Pappy.
The Ane-Eyed Sailor
A teenaged Popeye now a full-fledged and one-eyed sailor.
As the twelve-year sometime Popeye set off on his first voyage, he would cease upwards losing the vision of his right centre in "the mos' arful boxing" of his life. I fateful night, Popeye had just finished shooting craps with his v mates, who laid beaten on the deck of the Josie Lee with all their money on Popeye's side. It was and so that the monstrous and bloodthirsty cook of the ship, an evil, animate being-like man just known as "The Ape," stepped along, having had enough of Popeye'due south winning streak. Popeye knew a fight was inevitable and shouted out a "Blow me downwardly!" before promising to lay the monster man "among the swee'peas" (the sweet pea flowerbed) as his resting place. Even so, the naive young male child (who always kept his promises no matter what) realized that there was not a single flowerbed of "swee'peas" in sight, with the exception of a bed of sunflowers on the ship. The flustered Popeye kept looking around the boat with his practiced peepers for whatsoever sign of a flowerbed to continue his word on, just earlier he knew it, "The Ape" pounced on the unsuspecting rookie sailor and a fierce onslaught ensued with The Ape showing no mercy and laying down a gruesome punishment on the sailor, with Popeye never existence able to meet another flowerbed with that one peeper of his once more. Since and then, those at sea would refer to him equally "Pop-Eye", after his disrepair heart.
Despite this gruesome defeat, Popeye did not weaken or falter and merely became more dangerous from the feel, and he quickly recuperated and connected his service as a sailor on the Josie Lee, continuing to make his regular nightly rounds, winding the ballast watch, always staying in front of the mast so he could say "Blow me down!" when the wind hit the sails and e'er keeping his fists tough while walloping his foes with only his left fist, for if he used his right fist, he would be unable to control his strength without obliterating his opponent due to not having his right eye be in sync with his fist anymore. In those days, one had to be a brave or foolish mariner to incur in Popeye's wrath.
It was effectually this time that the teenaged Popeye started embracing a chivalrous oath of gallantry, possibly due to the mature nature of his shipmates, with him often refusing to involve himself in the haughty and lewd conversations they had about off-white maidens. His chivalry reached its peak one day when an boundness landed on the deck of the Josie Lee. The hapless footling bird was suddenly grasped by none other than the ship's melt, "The Ape", who hoped to make some "Off" out of the poor bird. Popeye then noticed that the small bird was wearing a pair of tiny lady's shoes, making him realize that this albatross was a lady bird, or "Albatress", as he chosen her. Popeye then wound up his fist and allow "The Ape" have it with a mighty blow to the jaw (while also unintentionally getting a revenge of sorts). With the picayune female boundness at present saved, Popeye apologetically bowed before the little bird and said "maybe you lot is somebody'due south sis, tha's a fack! Nobody but a criminal would practise a hurt to anybody's sis!", and the piddling bird happily went on her way.
The Mary Ann
Around the historic period of 14, when ships were forest and men were iron, young Popeye became a member of the Sea Domestic dog Club for sailors, where he would meet his practiced friend Pecker Barnacle. The two would then join the crew of the Mary Ann for an unknown voyage. On a nighttime dark, the Mary Ann began ringing in an ominous and unusual tone not unlike the audio of bones and skeletons moving when suddenly the moon became blood crimson. The ii shocked sailors could only wait on in horror as they saw numerous indescribable beasts clinging to the side of the Mary Ann, led by a sinister being. The side by side forenoon, the duo and their skipper found 5 of the crew missing with no trace of them left behind. All that was known was that their frightening encounter aboard the "Ol' Mary Ann" would forever remind the duo of the all-true horrors that exist within the seas.
Dice Island
Later in life (at the presumed age of around 34 according to Bud Sagendorf), Popeye would offer his seafaring services at local ports; it was there he would eventually encounter the ever-ambitious Brush Oyl and his sidekick Ham Gravy, who sought Popeye'south services in order to travel to the gambling paradise of Dice Island and make it large using the luck-enhancing powers of their mysterious pet, Bernice the Whiffle Hen, and through them he would come across Castor's sis, Olive Oyl who at starting time was non too fond of the sailor and vice versa. Fifty-fifty her offset words to him were harsh: "Take your hooks offa me or I'll lay ya in a scupper", and they fought bitterly---and hilariously---for months until finally realizing their feelings for each other. It was at this point that Olive left her womanizing fiancee Ham Gravy to exist with the gruff crewman she loved. Since then, Popeye and Olive have remained almost inseparable and happily in love.
Songs
Since his debut in animation, Popeye has had many unique songs for himself equally well every bit many tunes dedicated to him.
- "I Yam What I Yam"
- "Swee'Pea's Lullaby"
- "Blow Me Downward!"
- "Sailin'"
- "I'chiliad Popeye the Sailor Human"
Voiced/Portrayed past
- William Costello (a.k.a. Red Pepper Sam) from 1933 to 1935
- Jack Mercer from 1935 until his death in 1984
- Jackson Beck during the brief time Jack Mercer served in World War II
- Mae Questel from 1945 to 1946
- Harry Welch from 1945 to 1947
- Maurice LaMarche from 1985 to 1990
- Baton West in from 2004 to 2006
- Floyd Buckley (radio)
- Dave Coulier ( Robot Chicken )
- Jim Cummings (commercials)
- Robin Williams (live-action picture)
- Tom Kenny (2014 animation examination)
Gallery
Popeye's gallery can be viewed here
Trivia
- According to Bud Sagendorf (the original assistant to E. C. Segar and a longtime Thimble Theatre author and artist), Popeye is 34 years one-time.
- In Segar'southward 1936 storyline "The Search for Popeye'southward Poppa", Pappy, afterward seeing his son for the outset time, tried to recall his memories of baby Popeye from the year 1895, and mentioned his parental abandonment when Popeye was ii. Therefore, if the story was concurrent with real-life dates, Popeye would exist 41 to 43 years quondam.
- In the theatrical cartoons, Popeye was instead portrayed as being 40 years of age, every bit stated in the Fleischer cartoon Goonland (where Popeye says that his father left when he was born 40 years ago) and in the Famous cartoon The Ace of Space , in which a martian machine lists his age as being twoscore as well.
Sources
External links
Characters
How Old Is Popeye the Sailor Man
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